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Native Son CD, by Richard Wright
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Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.
- Sales Rank: #1407386 in Books
- Published on: 2008-04-29
- Released on: 2008-04-29
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 15
- Dimensions: 5.88" h x 2.19" w x 5.60" l, .91 pounds
- Running time: 63900 seconds
- Binding: Audio CD
- 15 pages
- Brand new in original shrink wrap.
Amazon.com Review
Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...
A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."
Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion: "I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..." Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes
From Publishers Weekly
Starred Review. Wright's classic 1940 novel about a young African-American man who murders a white woman in 1930s Chicago is a truly remarkable literary accomplishment. Peter Francis James has never been better, bringing the character of Bigger Thomas to life in a profound and moving performance that is as touching as it is truthful. James's powerful baritone demands to be heard, captivating listeners with Wright's realistic portrayal of life in the inner city, capturing the mood of each and every scene. With moderate yet believable variations in tone and dialect for each of the characters, James ignites the collective imagination of his audience. Wright's novel is real, raw and brutally honest and James's reading follows suit. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Library Journal
After 58 years in print, Wright's Native Son has acquired classic status. It has not, however, lost its power to shock or provoke controversy. Bigger Thomas is a young black man in 1940s Chicago who accidentally kills the daughter of his wealthy white employer. He tries to frame the young woman's fianc? for the crime and attempts to extort ransom from the victim's family, but his guilt is discovered, and he is forced into hiding. After a terrifying manhunt, he is arrested and brought to trial. Though his fate is certain, he finds that his crimes have given meaning and energy to his previously aimless life, and he goes to his execution unrepentant. Wright avoids the trap of making his hero a martyr, for Bigger is a vicious and violent bully. But out of this tale the author develops a profoundly disturbing image of racism and its results that puts Bigger's experience in horrifying perspective. The unabridged recording includes material edited out of the original edition (Audio Reviews, LJ 10/15/98), including one major scene and some significant dialog. Peter Francis James's narration is thoughtful and polished but lacks intensity. When the text clearly demands an outburst of emotion, James repeatedly holds back, allowing the book's climaxes to drag by unrecognized. This recording will stand well until a better version appears. Recommended for all public libraries; librarians should be aware of extremely violent language and situations.AJohn Owen, Advanced Micro Devices Lib., Santa Clara, CA
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The best thing one can take away from this story is ...
By John Barber
Richard Wright excellently exposes the stark racial divisions of the 1930s Chicago Black Belt in his period piece Native Son. Following the misfortune of the young protagonist Bigger Thomas, Wright seeks to convey a coming of age initiated by tragic conflict. Not only is the reader enveloped by racial conflict behind the words of Wright, but by general conflict between all men. Through this composition, Wright aims to reveal the darkness often covered up during the period of writing, seen through the eyes of the racially suppressed.
The best thing one can take away from this story is an appreciation for empathy and feelings other than our own. Though it is easy to jump to the conclusion that Bigger is an evil man, if you take the time to think and really read between the lines you actually can actively understand the actions which he takes throughout the story and feel a connection with him until the very end. This gift of empathy is would I would argue is Wright’s most amazing result from this story. All in all there is a lot to be learned from reading Native Son and not only does it teach about a historical period of time, but it wraps the piece of historical fiction nicely into a novel, a medium accessible to a wide variety of audiences.
I highly recommend this thrilling expose.
2 of 2 people found the following review helpful.
This book is a great book that shows how hard prejudiced was back in ...
By Tanner Shigeta
This book is a great book that shows how hard prejudiced was back in the day before civil rights. This story has a few eye opening and a bit graphic twists but expresses a great deal of oppression. The story has a great build and has an ending where enlightenment is reached. I think that this book should be read with an open mind and the ability to put yourself in someone elseʻs shoes to think what they are thinking. also it should be remembered while reading this book that skin color made a great deal in a persons life and if you were not white you were treated differently and sometimes even disrespected.
1 of 1 people found the following review helpful.
Classic cautionary tale
By Liane
This classic cautionary tale is a tense, graphic read that gives insights into the race issue in the US in the 1930s and the damage it does to both whites and blacks. It also gives important context to the ongoing race issues in that country: a historically toxic, inequitable, violent and oppressive society produces toxic, paranoid, violent people, whatever the basis for the oppression, be it race, class, ethnicity, religion or anything else.
Quite apart from all the sociological and psychological insights, the novel itself is a gripping ride that just does not let up on the tension until the court scene, the long speeches and the epiphanies of the protagonist near the end that slow things down somewhat.
Overall, a worthy read.
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